Warning: This post contains references to Aboriginal people who are now deceased. The books and links referred to in this post may also contain references and images of deceased Aboriginal people.

Each July, book blogger Lisa Hill encourages bloggers to review books written by indigenous authors from around the world. She chooses ‘Indigenous Literature Week’ to coincide with the Australian annual celebration of indigenous culture, NAIDOC Week.

Auntie Rita by Rita Huggins and Jackie Huggins (Aboriginal Studies Press, 1994).

This week was NAIDOC Week so I searched my book shelves for a book to read by an indigenous author. As I have already reviewed two new books by Australian Aboriginal authors this year (Finding Eliza by Larissa Behrendt and Pictures from my memory by Lizzie Marrkilyi Ellis) I decided to review a highly regarded book from the 1990s. Twenty-two years after it was first published I have finally read Auntie Rita by Rita Huggins and Jackie Huggins.

Rita Huggins shares her life from her earliest years living on her country in what we know as Carnarvon Gorge in Queensland. The land sustained her Bidjara-Pitjara people but born in 1922, Rita Huggins and her people were in the sights of a government which was forcibly removing Aboriginal people from their land and into reserves. Rita Huggins tells of the traumatic day when she and her family were herded onto a crowded cattle truck and taken on a long journey south to what became known as the Cherbourg Aboriginal Reserve. She never lived on her country again.

This book is not a standard memoir. It is also a dialogue between Rita Huggins and her daughter Jackie. At various points through the narrative Jackie Huggins expands on points her mother makes, add her memories and sometimes challenges her mother. In doing this both mother and daughter are unsettling the memoir genre. We are all social beings. We not only live in a social context, we are challenged and have to adjust our thoughts and behaviours in response to those we live and work with. Yet writing a memoir is one of the most solitary practices. The dialogue in this memoir gives us a peek into a mother/daughter relationship. While Auntie Rita quite rightly dominates the book, the reader at times has the feeling that they are at a kitchen table listening to Auntie Rita talk about her life with Jackie sometimes chiming in with a comment about what her mother is saying. Auntie Rita says: Continue reading →